DCC
Submission Guidelines

Disability Culture Currents (DCC) is a new online opinion and personal essay publication by Disability Culture Lab that explores the currents of disability culture and identity.

A woman with short blond hair and glasses smiles while seated in a power wheelchair at an evening event, wearing a pink dress in a warmly lit outdoor space.
A diverse group of seven people sit together on outdoor couches at an evening event, most wearing masks and holding colorful hand fans, smiling and posing for the camera.

DCC is a platform for disabled authors and creators exploring the intersections of social movements and identity, the reality that all forms of oppression are disabling, and the fact that every issue is a disability issue. 

DCC will publish essays, opinion, comics, and illustrations by disabled creators and writers and the wider Disability Culture Lab community.

What We Accept

  • DCC accepts written submissions from 600 to 1000 words, and topical comics/graphic storytelling with a combination of writing and illustration.

  • DCC only accepts pieces from disabled creators that are either opinion or personal essay and:

    a) illustrate how a system of oppression is disabling, such as racism, ableism, colonialism, capitalism, transphobia, etc;

    b) explore the intersections of social movements and identity; or

    c) explain how an unexpected issue is a disability issue.

    We encourage news of day hooks, personal stories, academic research, artistic and creative expertise, or professional expertise to be included – but none of the above are required.

  • DCC pays $75 per published submission, and we aim to increase this as we fundraise for additional resources.

  • Creators maintain ownership of their submissions, and the right to republish their work 90 days after publication in DCC.

  • NOTE: Launch week submissions due by February 20, 2026; additional submissions will be reviewed on a rolling basis for publication. 

Disability Culture Currents exists to:

  • Shift the narrative on disability from fear and pity to solidarity and liberation.

  • Illustrate how every form of oppression is disabling, and how disability is the end of every oppression story.

  • Create a space for intersectional disability cultural movements to thrive.

  • Platform multi-marginalized writers and creators in the disability community.

  • Shift the face of the disability community to match the base.